Big jazz thinker Stanley Crouch on the wild, young mind and music of early “Bird,” Charlie Parker.
Charlie Parker made his name as Bird. The revolutionary jazz sax man out of Kansas City. Blew up in the 1940s. Made bebop with Dizzy Gillespie. Blew minds all over. Died of drug use and bad health – a lot of heroin there – at 34 in 1955. Charlie Parker changed jazz. Now, the great jazz writer Stanley Crouch shows us where Charlie Parker came from. The early years. The desperado. Kansas City lightning. Up next On Point: Stanley Crouch on Bird. Charlie Parker.
— Tom Ashbrook
Stanley Crouch, poet, novelist, biographer and jazz and cultural critic. Author of “Kansas City Lightning: The Rise and Times of Charlie Parker.” Also author of “The All-American Skin Game, or Decoy of Race,” “Considering Genius: Writings on Jazz,” “The Artificial White Man,” “Notes of a Hanging Judge” and “Don’t the Moon Look Lonesome?”
From Tom’s Reading List
New York Times: When Bird Was A Fledgling — “He’s worked on this book, off and on, for more than 30 years. He’s done his share of interviews. But Mr. Crouch is not about getting his knees dirty, rooting around in old tax bills and manila folders and yellowing box-office receipts. He’s about aesthetics and ideas. His book is a 365-page riff on Charlie Parker, on America in the first half of the 20th century and on black intellect and feeling. It worked for me, mostly. To settle in and listen to Mr. Crouch on Parker’s sound is to send you racing to your CD collection or Spotify app.”
Wall Street Journal: Book Review: ‘Kansas City Lightning’ by Stanley Crouch | ‘Bird’ by Chuck Haddix | ‘Celebrating Bird’ by Gary Giddins — “On March 12, 1955, Charlie Parker achieved his greatest public fame when he died at age 34, in the elegant New York hotel apartment of Baroness Pannonica de Koenigswarter (born Rothschild, “Nica” to her friends), thus provoking the first tabloid headlines of his short and turbulent life. Unlike trumpeter Dizzy Gillespie, his partner in the creation of the jazz style known as bebop, Parker was rarely interviewed, and little was known about his early life. Recognition of the alto saxophonist’s brilliant artistry was largely confined to the jazz press, at home and abroad.”
NPR: Charlie Parker: ‘Bird Lives!’ Part 1 — “In Kansas City’s jazz scene, after-hours jam sessions filled the night air. After gaining a reputation as an aspiring saxophonist, a teenaged Parker joined in a jam session with top-notch players like drummer Papa Jo Jones. The session was far out of Parker’s league, leaving the hopeful musician humiliated after listeners laughed at his inchoate playing. In a rare radio interview with fellow saxophonist Paul Desmond and disc jockey John McClellan, Parker revealed that the experience sparked his intense practicing regimen, which often found him playing as much as eleven hours at a stretch.”
Read An Excerpt Of “Kansas City Lightning: The Rise and Times of Charlie Parker” By Stanley Crouch