90.9 WBUR - Boston's NPR news station
Top Stories:
PLEDGE NOW
The Music And Mission Of James Brown

A new look at the music and mission of the Godfather of Soul–James Brown.

Gospel-soul singer James Brown sings "Living in America" during his three-hour concert at the Wiltern Theater in Los Angeles, Ca., on June 10, 1991. (AP)

Gospel-soul singer James Brown sings "Living in America" during his three-hour concert at the Wiltern Theater in Los Angeles, Ca., on June 10, 1991. (AP)

Mister James Brown got all the top tags in soul music.  Soul Brother Number One.  The Hardest Working Man in Show Business.  Mr. Dynamite.

The Godfather of Soul.  He earned them.  His stage show was so electric.  His career was so long.  His music so exhilarating.  A new biography tells his story.  Coming up hard in “Georgialina”.  Battling all the way.  Becoming the one.

This hour, On Point:  the life and music and mission of James Brown.

-Tom Ashbrook

 

Guests

R. J. Smith, former senior editor for Los Angeles Magazine and contributor to blender. He is the author of The One: The Life and Music of James Brown.

Gail Mitchell, R&B senior correspondent and senior editor for Billboard Magazine.

From Tom’s Reading List

The New York Times “Lovability was not Mr. Brown’s salient attribute. So the reader who knows little of Mr. Brown’s story may not instantly grasp why that story is so mesmerizing. For that reader, three words of advice: “Please, Please, Please.””

USA Today “James Brown was never a big man, but even as a troubled young man growing up in abject poverty, he was larger than life. RJ Smith’s The One: The Life and Music of James Brown crackles with the same intensity Brown used to overcome his destitute beginnings to become the Godfather of Soul, who could whip audiences into a sweat-drenched frenzy with his primal screams and electrifying dance moves.”

Video: “Please, Please, Please” And “Night Train”

Check out this concert footage of James Brown from the TAMI Rock Concert in 1964.

Video: Get On Up!

James Brown in 1971 here, singing “Sex Machine.”

Playlist

“I Got You (I Feel Good)” (LIVE)
“Papa’s Got A Brand New Bag” (LIVE)
“(Call Me) Super Bad” (LIVE AT THE APOLLO, 1971)
“Please, Please, Please” (PLEASE, PLEASE, PLEASE, 1956)
“I’ve Got Money” (I’VE GOT MONEY, 1962)
“Mashed Potatoes U.S.A.” (MASHED POTATOES U.S.A., 1962)
“I’ll Go Crazy” (LIVE AT THE APOLLO, recorded 1962)
“Out of Sight” (LIVE AT THE T.A.M.I. SHOW, 1964)
“Oh Baby Don’t You Weep”
“Cold Sweat”
“Say It Loud (I’m Black and I’m Proud)”
“It’s a Man’s Man’s Man’s World” (LIVE AT THE APOLLO, 1967)
“Funky Drummer”
“Get Down” by Nas
“Living in America”
“I Got You (I Feel Good)”

Excerpt: The One

Introduction

I’m not gonna show you the secret, James Brown would tell people who asked about the One, but . . . Then he would start talking.

Brown refused to reveal the mystery because the One was a trade secret. It would remain a puzzle because the more mystique it had, the more mystique he had, and mystique was good for business.

The One was a way to find yourself in the music, it was a means for drummers to come together with one another. It was a small element in a life’s work, but like the drip was to Jackson Pollock or the footnote to David Foster Wallace, for Brown the One was bigger than it first appeared, a trifling that embodied the world he made.

Maybe most of all, for James Brown, the One was an anchor, an upbeat that put him in touch with his past and who he had become.

As he once explained it: “The ‘One’ is derived from the Earth itself, the soil, the pine trees of my youth. And most important, it’s on the upbeat—ONE two THREE four—not the downbeat, one TWO three FOUR, that most blues are written. Hey, I know what I’m talking about! I was born to the downbeat, and I can tell you without question there is no pride in it. The upbeat is rich, the downbeat is poor. Stepping up proud only happens on the aggressive ‘One,’ not the passive Two, and never on lowdownbeat. In the end, it’s not about music—it’s about life.”

To Brown it was a heartbeat that connected him to the dancers and singers and time keepers who came before him. The One put him on a timeline, though the way he talked about the beat, it put him at the end of the line: the ultimate expression of a heritage.

He wasn’t gonna show you the secret. But if you listened . . .

Please follow our community rules when engaging in comment discussion on this site.
ONPOINT
TODAY
Oct 20, 2014
A statue of President Franklin Delano Roosevelt on New York City's Roosevelt Island. (Flickr / Alexisrael)

Greatness and the American Presidency. Aaron David Miller says aim for good. Really good.

Oct 20, 2014
In this Oct. 2, 2014 photo, patrons line up for “Nightmare: New York,” a haunted house attraction in New York. (AP)

Afraid of snakes? Heights? Ebola? We’ll unpack the science of fear.

RECENT
SHOWS
Oct 17, 2014
Jazz violinist Regina Carter. (Courtesy of the Artist)

Regina Carter turns her jazz violin down home with her new album “Southern Comfort.”

 
Oct 17, 2014
U.S. Senate Minority Leader Mitch McConnell (R) Ky., center, and Democratic opponent, Kentucky Secretary of State Alison Lundergan Grimes, rehearsed with host Bill Goodman before their appearance on "Kentucky Tonight" television broadcast live from KET studios in Lexington, Ky.,Monday, Oct. 13, 2014. (AP)

The CDC in the hot seat on Ebola. Markets reeling. Mid-term fireworks. Our weekly news roundtable goes behind the headlines.

On Point Blog
On Point Blog
Introducing The Explicast: A New Podcast From On Point Radio
Friday, Oct 17, 2014

Confused about the news? Don’t worry: so are we sometimes! Introducing a new On Point Radio podcast: The Explicast. You can find Episode One right here.

More »
Comment
 
Two LIVE Tracks From Jazz Violinist Regina Carter
Friday, Oct 17, 2014

Regina Carter shares two live tracks — one arrangement, and one original composition — with Tom Ashbrook in the On Point studio.

More »
Comment
 
Our Week In The Web: October 17, 2014
Friday, Oct 17, 2014

We talk Facebook mishaps, whether Katy Perry was actually right and the glory of architectural giants and their iconic windows.

More »
Comment